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"Yogge-Sothe,
the elder God...,) 1969 - Acrylic Paint on Masonite Board, (type:) the
4th or 1st after image system: more precisely a full scale non-contained
after-image system which operates as a vast audio/ visual synergism. Visual
setting - light blue walls
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My name is Glen Etzkorn, I am a artist,
painter, color theoretician, successful marijuana researcher and a ancient
shaman ect. I am the apprentice of the father of colored OP art, the discoverer
of the double or reverse after-image, whose other discoveries can be quickly
summed up as the governing rules of optical knowledge of the scientific
sort; generally dubbed as the modern color theory. My theorecticals are
a mere expansion of the existing established theorem. Two other after-image
systems preceded called the positive and negative after-image. Chronologically
my after-image system though is a recurrent art form of the Americas most
likely reaching back in time to 6000 years ago and definitely observable
4500 years ago in the Andean regions and can be spotted as functional close
to 1000 years ago in the Meso American region. At the time of the loss
of 90,000,000 lost souls some 500 years ago in the Americas, two major
fledgling empires may or may not have held the optical knowledge in a functional
manner. With the mayhem that occurred with the western civilizations confrontation
on the newly discovered hemispheres not only a great loss of lives but
that of optical knowledge became obscured or essentially loss.
As an artist I was fully aware that
when the Modern Color Theory was being explored in
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"Third
Nuclear Event - More Vaporized Souls". 1982 - Acrylic Paint on Masonite
Board, (type;) Expressionist viewpoint overlooking BSU Dorms and Lake Bemidji.
Visual setting - can handle more brighter lighting, but best seen in blue
environment
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the mid fifties of the last century
there was a huge failure at Yale to consider the nature of the color brown.
As the apprentice of a master color theoretician during the summer of 1965
a task was tossed in my direction to work on an surface area pattern setup
system attempting to deal with more than two gaudy colors at a time. In
the process of working on that painting technique problem in 1969 I managed
to come fairly close to the solution of the task, but at the same time
I ran across the fourth or more accurately the first known after-image
system which was not evident in either Eastern or Western Civilizations
artistic ventures.
It took close to 2 years to establish
over twelve levels of perception levels engaged my main work of art which
I titled "Yogge-Sothe the elder god...," In contrast to accepted archeological
understandings I discovered that instead of considering the ancient art
form as relegated to usage of harsh hullucigeons over half a dozen of the
levels, though in some ways very much similar in effect to the use of harsh
drugs, were in fact attainable without the usage of any drugs. The next
half of dozen levels of perception did require the usage of marijuana and
or hashish and the visual events would be impossible of attainment per
the use of harsher hullucigens. The visual events of the latter group were
profoundly beyond the capability of described altered states of consciousness
I had ever heard of and or experienced.
Close to thirty years later I have
managed to come across a new design function which has taken my explorations
of the nature of the color brown into a more minimal approach
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"Galactic
Snow Flakes" 1981 - Acrylic Paint on Masonite Board (type:) Exploratory
effort regarding visual stop motions of Greek meander versus flowing motion
of South American volutes with emphasis placed on providing a variety of
surface area pattern set up system functions (Difficult to capture detail
of the surface area pattern per use of camera at the time) This work somewhat
similar to current work in progress is a take off of a series of paintings
titled "Bright Firmament", one of which, I assisted in producing in 1965
when assistant to a Master Color Theoretician. Visual setting - light blue
walls
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that has allowed for increased accessibility
of others to automatically detect some aspects of visible disturbances
which I simply dubbed automatic soft 3d. The new rules seem again quite
reflective of the ancient painting technique of the artists I call the
painting gods who at the Tiwanuka muti-colored palace were noted using
two layers of paint versus applications of paint levels up to 10 to 15
layers. This technique was also spotted back it seems 4500 years ago.
My assumption of the relationship of these painting facts of life relates
to a large degree to the ancient ones usage of low relief sculptures and
facades on architecture and I even go so far as question if there
was relationship to the development of calendrics.
In an effort to keep this article
short and engage in complaining:)
Over the years in the fine arts I
have noted extensive censorship tactics utilized preventing others from
being updated on activities in the fine arts. Art institutions, academic
settings and even the great WWW have been noted to take on fascist tactics
which could only make a Jesse Helm type proud of his fellow fascist Americans.
At an art institute visiting artists program after a verbal verification
of expanded theorem I will never forget hearing that master color theoreticians,
'...,had to be dead before lecturing.' Twice now I have heard at state
universities stances of '..,you can't do that'.
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(unfinished)
Titled: "Ronnie Goes to Grenada: Spreading Democracy Like in Vietnam" 1984
Acrylic Paint on Masonite Board - Expressionist effort depicting Republican
association with Fundamentalists persecution complex ever willing to persecute
others.and endanger the american political process with anti intellectualism
as a fundamental fact of life. The South arises under a different banner.
Visual setting light blue walls.
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because this is a Baptist (or) Lutheran
community'. Twice now I have had my art work removed off the WWW, once
by a pathetic state university which has stolen the artwork and refuses
to return the intellectual property to (self) or all the artists who were
removed from the www after my removal, and now, a pathetic editor of a
100 top art site listing simple minded announcement of "removal". If asked
why.I suppose it may curiously have something to do with an artist having
a sense of ethics noting that the barbaric pot laws are without legal basis
and exist in the United States as mere illegal enactment's. It may well
have a basis in western culture of fascist efforts to distort information
with a cultural tendency to wish a continuing practice of a nations too
often habitual enjoyment of viewing human sacrifices of innocent children
and elders who never so much as smoked marijuana, as the dregs of our societies
burst into homes with bogus warrants served at the wrong addresses. Currently
in America some vile citizens enjoy a world where disabled and dying citizens
are incarcerated in our Gulags. Our pompous leaders will address human
being the greatest human rights violators in the entire world.
Glen Etzkorn
Your Email Comments Welcome
To Learn More, Visit Glen's
Website
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